Album review: Sage Francis ‘Li(f)e’

(Released 2010 on Francis’s label Strange Famous Records.)

I don’t have a ready genre slot in which to shove this, but there’s a Bill Hicks quote in the liner notes, so I had a good listen: Hicks knew what was missing, and he would’ve loved this. Spoken to souled grooves, following its own muse; say ‘hip-hop’ if you want to but that doesn’t cover it.

Open the liner, read the white-on-black notes, the poems that this man wrote. The rhyme is sparse, subtle, inventive, doesn’t drown out the content. This poet delivers, riffing in English ‘til the language quivers — but he doesn’t let it splinter. He holds it together.

‘You’re not my Yoko so I cropped the photo and I rocked it solo.’

‘I had one too many one-way conversations with the liggy liggy Lord until I grew a scissor tongue and c-c-cut the cord. I put the phone on the floor, detached the wires in my head. It took a while to accept that that line was dead.’

This poetry is spoken over flows of melody — aching, pacing — and rhythmic attack. Indie-roar electric and stringtalk acoustic, loose and eclectic, full of emotion. Full-on production by Brian Deck.

‘They’re selling a click track but they call it a soul clap.’

Don’t give it to a Christian. They won’t like the diction. The knife inserted into organised religion. Because Francis grew up American like Lisa among the Simpsons but he didn’t let the shame and hate hold him back.

(Reviewed for RTR-FM.)

Brave, beautiful, beloved

(Portrait of Rita)
Commissioned 2009. This work may not be reproduced by any process, including printing, without the client’s permission.

In all she did, she loved. The glow of her!
Her Welsh voice, its gentle lilts and rolls
a balmy pool with bubbles, waves and ripples.
Her lipstick-pretty mouth. Her peach-bloom cheeks.
Her neatly cultured brows and bright brown eyes —
a sigh of velvet candle flames, not stars.

Her hair like gold-dust spread on gleaming water,
glinting like her jewelled wrists and throat
and fingers, their nails lacquered and shaped,
dreamily draped yet poised, precise and ready.
Her body plush, yet firm enough to lean on.
Her arms soft, yet strong enough to hold one.

Her home sang of her country-cottage heart.
The warm and comfy — sofas, cushions, drapes,
foliage, her roomy soul, her arms —
embraced the small and shiny — copper, glass,
china, jewels, precious hearts, bright eyes.
Each item laid in place with care: a blessing.

She nurtured and collected delicate things.
Necklaces, rings. Clocks, statuettes, shoes,
pretty plates. Flower-hung, lace-hung hats.
Austrian blinds in gathers, frills and curves.
And many precious pictures of family and friends
honoured in frames on walls, where she could see them.

She lived to love, was conscious of how her touch
affected others, created beauty for others
in every moment, in all she did and made.
This woman of diamonds, woman of gold, bouquet
of chosen roses, lover of all things small —
small dogs, mice, bugs and little human hearts —
she helped them grow in the garden of her arms.

Her calm arms a harbour for wild ships,
      for Debbie, for Leanne
Her reliable smile a quiet place to sit,
      a familiar chair and table
      for Lorraine
Her laughter a homecoming, a rain of memory,
      a swing, a slide, a treehouse,
      a dolls’ picnic,
      a secret shared
      for Pat
Her entire self — her body, mind and spirit —
      the puzzle solved,
      the pattern matched,
      the question answered,
      the door unlocked,
      the path revealed
      to a place of peace
      for Ross.

Rita walked in glowing joy and love,
in brave grace, and warmth, and mirth, and beauty.
Rita. A true friend forever.
She left too soon, but left with dignity —
a lady from her dawn until her sunset.

Extracts from eulogy

Commissioned 2010. This work may not be reproduced by any process, including printing, without the client’s permission. Names have been changed to protect privacy.

Ladies and gentlemen, thank you all for being here to commemorate the life of my dear mother-in-law, Mary Louise Johnson.

Mary was much loved by many family and friends, and I’m honoured today to be able to tell you a little about her life.

As well as a loving wife, Mary was an enterprising businesswoman. Soon after her marriage she opened a shop in Smith Street — appropriately for Mary, a hairdressing salon. She wasn’t a hairdresser herself, but an entrepreneur, employing several stylists. She named the salon ‘Mary Louise’, and with her hard work and attention to detail, it did well. After a couple of years she was able to open a second salon in Davis Street. Eventually she was able to sell both for a handsome profit, which gave Joe the finance to set up his construction, concrete and limestone businesses.

One of Mary’s favourite TV shows was ‘Neighbours’. She never missed an episode and became wrapped up in the story. Tammy once answered the phone and got a shock to hear Mary crying.

‘What’s wrong, Mum?’ she said.

It turned out that one of the characters on ‘Neighbours’ had died.

Mary leaves behind three children, five grandchildren and two great-grandchildren. She was a great and beautiful lady who gave all of us her unselfish love and many happy memories. In conclusion I’d like to read a poem for her.